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Q. How do you get good sound out of a little bit of equipment, without bringing in stacks of speakers and still having a singer you can't hear? A. It's not how much equipment you bring to the gig, it's how much gig you bring to the equipment. Pay attention to the music being made on stage and deliver it to the audience. Achieve clearer, more pleasing, more intelligible, more musical sound with better room coverage and audience satisfaction by listening. Balance vocals and lead instruments atop the solid foundation laid down by the rhythm section. Work channel volumes, effects, tone, panning and the overall house volume to deliver dynamics and emotional impact to the audience as part of the live performance. Do not just set the knobs once at sound check and then "let 'er ride". Know the importance of clean stage power. Know the importance of preparation, punctuality, attention to detail and visual appearance. This system can provide good coverage and adequate volume in indoor venues, respectable volume at small to medium outdoor events, and support for typical three to six piece rock, blues or country acts as well as vocal, bluegrass and classical outfits. It is clean, compact and modest, but potent. The sound is solid, fat and full. There are no voiceless singers. There are no air guitars. No midbass neckache. No endless feedback. No buzz, no hum, no mud! Less is more. The difference is night and day. |